from the inside looking out

this guy is made from earthenware, as well as midrange fired clay in addition to wood, wire and graphite. He is lanky and the expression on his face is one of grave concern—it’s as if he is contemplating hiding inside behind the currents or taking a nice flight around the neighborhood.

from the inside looking out

Ducky Smiley Face

I have been making pieces along this vein for a while now. To me it is the most similar technique as collage-ing, but using clay. In my studio it isn’t uncommon to see that I have made a random leg, a colorful torso, or a hairy arm. Eventually I will assemble them to make an ‘entire’ piece. I like working this way because it is playful and unpredictable–there is not set intention when I begin.

Ducky Smiley Face

The suppression…

The suppression of inner patterns in favor of patterns created by society is dangerous to us. Artistic revolt, innovation, experiment should not be met with hostility. They may disturb an established order or an artificial conventionality, but they may rescue us from death in life, from robot life, from boredom, from loss of the self, from enslavement.
When we totally accept a pattern not made by us, not truly our own, we wither and die. People’s conventional structure is often a facade. Under the most rigid conventionality there is often an individual, a human being with original thoughts or inventive fantasy, which does not dare expose for fear of ridicule, and this is what the writer and artist are willing to so for us. They are guides and map makers to greater sincerity. They are useful, in fact indispensable, to the community. They keep before our eyes the variations which make human beings so interesting. The men who built America were the genuine physical adventurers in a physical world. This world once built, we need adventurers in the realm of art and science. If we suppress the adventure of the spirit, we will have the anarchist and the rebel, who will burst out from too narrow confines in the form of violence and crime.

This was written by Anais Nin in 1949.  If you have never read any of her writing—please check her out.  She is mostly known for her journals that she started keeping at the young age of fourteen. 

up coming show in Boise, Idaho

up coming show in Boise, Idaho

The show title is ‘small whimsy’  it will be opening on November 9th and on view until December 21st.  I submitted several pieces mostly wall hangings and one free standing sculpture.  I have never been in this space or seen the gallery, but from what I can gather from the website—-the other artist being represented in this space are fantastic!!! There is a variety of mixed media work to intaglio, graphite and a lot of ceramic sculpture/utilitarian work.  I was pleasantly excited to see one of my dear friends in the clay world Patty Bilbro’s work resides here as well—check it out. 

current show ‘Conditions of Humans’

if art human conditions

current show ‘Conditions of Humans’

The work featured in this show is my most current  (made in San Antonio Texas).  I am really honored to be present in the If Art Gallery, Columbia South Carolina. —I have so much respect and admiration for Bob Trotman and David Yaghjian who are also a part of this exhibit.  Recently the gallery owner Wim Roefs expanded the space of his gallery in the historic Vista section of Columbia.  This gallery is truly a work of art in and of itself.